It was night. Vrajanatha had completed his bhajana for
that day. Putting his hari-nama-mala
aside, he fell asleep. Vijaya Kumara had honored prasada, and lay on
his bed, but sleep would not come, for he was absorbed in thought. At first he
had the idea that Goloka and Gokula were different places. Now, however, he concluded
that Goloka and Gokula are non-different. The root of parakiya-rasa is
in Goloka. But how can Krsna be upapati (paramour) there? He could not
comprehend this point.
“If Krsna is the supreme substance,” he thought, “and sakti and
saktiman are non-different, even if sakti becomes separated from saktiman,
how can sakti be called parodha (married to a gopa other than
Krsna), and Krsna be called upapati (paramour)?” At first he thought, “Tomorrow
I will ask Sri Gurudeva the question and have my doubt removed,” but then he
thought, “It would be improper to ask Gurudeva anything further about Goloka. Still, it must be cleared.”
Pondering in this way, he finally fell asleep. While asleep, he dreamt
that he was in the presence of his Gurudeva, and in order to vanquish his
doubt, he was asking the very question that had preoccupied him just before he
fell asleep. Gurudeva replied, “Baba Vijaya, Krsna is fully independent in all
activities, and His unimpeded desires are not dependent on the desires of
others. His eternal desire is that His aisvarya should be concealed and
His madhurya should be manifested.
Accordingly, He assigns to His sakti an existence separate from Himself.
Consequently, His para-sakti assumes the form of millions of attractive
young gopis, all endeavoring to render Him various services. Still Krsna
is not fully satisfied by His sakti’s service while it is influenced by
knowledge of His opulence. Therefore by the wonderful influence of His yogamaya-sakti,
He provides those beautiful gopis with the abhimana (self-conception)
that they belong to separate households.
That is to say, through the influence of that sakti (yogamaya),
they consider themselves the wives of others, and simultaneously, Krsna also
assumes the relationship as their upapati (paramour).
“Out of lobha (greed)
for parakiya-rasa, Krsna transcends His atmarama-dharma (self-satisfied
nature) and performs varieties of wonderful lilas, such as rasa-lila,
with those young gopis, who implicitly believe that they are married to
others. Vamsi is His priyasakhi (dear friend) in accomplishing
this activity. In order that Krsna taste these special features the eternal parakiya-bhava
is established in Goloka. For this reason, all the pastime-forests of Goloka
and the sites of Krsna’s loving play, such as Vrndavana, remain eternally
present. All the lila-sthanas (places of pastimes) in Vraja – such as
the arena of the rasa, Yamuna and Giri-Govardhana – are in Goloka, and in
this way, the moods of being married (dampatya-bhava), and of being
faithful to one’s husband (svakiyatva-bhava) are present there. Suddha-svakiyatva,
the pure conjugal mood reigns splendidly in Vaikuntha. The qualities of svakiya
and parakiya are thus considered to be inconceivably different and
non-different.
“Just see, this subject is so astounding. In Goloka, parakiya-bhava
is present only as abhimana (a conception). In Vraja, it appears to be
like an affair with another’s wife, but there is actually no adultery because
the young gopis are Krsna’s own sakti. Krsna is united with them
from the beginning of time; therefore, their fundamental quality is actually
perfect faithfulness to one’s husband (svakiyatva)
and the quality of being married (dampatya). The gopas such as
Abhimanyu are special avataras of their respective conceptions in
Goloka. They become husbands to nourish Krsna’s lila and to make Him the
leader of vilasa (pastimes) on the stage of Vraja in the mood of an upapati.
In Goloka, which is far beyond the material world, rasa is nourished
only by this conception. Within the
material universe in Gokula, all the conceptions manifest their individual
existences and assume bodies by yogamaya’s influence in order to create
the experience of being married, and then to transgress the codes of marital
conduct. All this is accomplished by the actions of yogamaya.”
When Vijaya Kumara had thus heard svakiya and parakiya-tattva
explained by Gurudeva in his dream, his doubts were dispelled. Goloka, beyond the mundane world, is
factually the selfsame bhauma (earthly) Gokula – his conviction in this
fact became steadfast, and the supremely blissful identity of vraja-rasa arose
in his heart. At the same time, he felt an awakening of implicit faith in the nitya-asta-kaliya-lila
of Vraja. Rising early the next morning, he thought, “Sri Gurudeva has
shown me unlimitedly mercy. Now I will
hear from him about the components of rasa and then attain nistha in
bhajana.”
Vijaya Kumara honored prasada and came before his
Gurudeva at the prearranged time. Shedding tears of prema, he offered
his pranama. Gurudeva lovingly embraced him and said, “Baba, Krsna has
favored you with His genuine mercy. Thus I have become fortunate simply by
seeing you.” As he said this, the powerful influence of prema made his
mind unsteady.
After a short time, when Gosvamiji regained external perception,
Vijaya Kumara offered his sastanga-pranama, and said, “Prabhu, I do not
know Krsna’s mercy; I only know your mercy.
Now I have given up trying to realize Goloka. I am fully satisfied in the
endeavor to attain realization of Vraja. I want to thoroughly understand the
fascinating varieties of vraja-rasa. Kindly tell me, can the unmarried gopis who maintained the
mood that Krsna was their husband be called svakiya or not?”
Gosvami: Those unmarried gopis of Gokula were svakiya
at that time because of their nistha in the mood of approaching
Krsna as their husband, but their intrinsic mood is parakiya. Although
their svakiya mood is not natural, their svakiya relationship is
perfected in that particular condition in Gokula lila because Krsna
accepted them as His wives by the gandharva-vivaha-riti (the custom of marriage
by the exchange of garlands).
Vijaya: Prabhu, in due course, I will ask many questions, one
after the other. I want to understand all the topics of Sri Ujjvala-nilamani
in the sequence in which they have been presented. First, I wish to learn
all about nayaka (heroes). There are four types of nayaka, namely,
anukula, daksina, satha and dhrsta. Please describe
the anukula (favorable) nayaka.
Gosvami: The anukula-nayaka is He who gives up the
desire for other attractive maidens because of extreme attachment to only one nayika
(heroine). The bhava of Sri Ramacandraji towards Sri Sita-devi and
of Sri Krsna towards Srimati Radhikaji is that of the anukula-nayaka.
Vijaya: I want to know the identity of the various bhavas –
such as anukula – of the four types of nayaka, such as dhirodatta.
Kindly describe the symptoms of the dhirodatta-anukula-nayaka. Gosvami: The dhirodatta-anukula-nayaka
is grave, humble, forgiving, compassionate, resolute, steadfast in his
vows, free from vanity, modest and extremely munificent. Still, He renounces
all those qualities for the sake of His nayika, and goes to meet with her
in secret.
Vijaya: Please tell me the symptoms of dhira-lalita-anukula-nayaka.
Gosvami: The dhira-lalita-nayaka is by nature a
connoisseur of rasa, ever-youthful, expert in joking, and free from
anxiety. The dhiralalita-anukula-nayaka has all these, combined with the
symptom of enjoying uninterrupted pleasure.
Vijaya: What is dhira-santa-anukula-nayaka?
Gosvami: The dhira-santa-anukula-nayaka is naturally
serene and tolerant, wise, and considerate.
Vijaya: Kindly explain the symptoms of the dhiroddhata-anukulanayaka.
Gosvami: When the nayaka who is envious, proud,
deceitful, easily
angered, and boastful is
favorable, He is called dhiroddhataanukula-
nayaka.
Vijaya: What is a daksina-nayaka?
Gosvami: The word daksina means “simple and honest.” A daksinanayaka
is He who does not give up respect, awe, and submissive love for His
previous beloved, even when He gives His heart to another nayika. One
who is equally disposed towards many heroines is also called a daksina-nayaka.
Vijaya: What are the symptoms of a satha-nayaka?
Gosvami: A satha-nayaka is endearing in the presence of
His beloved, but He secretly commits grave offenses by acting in an unloving manner
behind her back.
Vijaya: What are the characteristics of a dhrsta-nayaka?
Gosvami: A dhrsta-nayaka is completely fearless and
expert at lying, even though everyone can clearly see the signs of His having enjoyed
the company of another beloved.
Vijaya: Prabhu, how many different types of nayaka are
there altogether?
Gosvami: As far as we are concerned, Krsna is the only nayaka.
There is no one besides Him. That one Krsna is purna (perfect) in Dvaraka,
purnatara (more perfect) in Mathura, and purnatama (most perfect)
in Vraja. He is both pati (husband) and upapati (paramour) in all
three of these places. Thus He is (2x3)= 6 types of nayaka. Furthermore,
because of the four categories beginning with dhirodatta, He embodies
(6x4) = 24 types. Then again, these types are divided into anukula, daksina,
satha and dhrsta, so there are (24x4)= 96 types of nayaka. Now
you should know that there are types of nayaka
in svakiya-rasa, and 24 types of nayaka again in parakiya-rasa.
In vraja-lila, svakiya-rasa is a contracted bhava, and parakiya-rasa
predominates. Thus, the 24 types of nayaka in parakiya-rasa are
eternally and splendidly manifest in Sri Krsna in Vraja. He is perceived as
whatever type of nayaka is necessary to perform any particular part in
any aspect of a lila.
Vijaya: Prabhu, I have realized the various qualities of nayaka
and nayika. Now I want to know how many types of assistants (sahayaka)
the nayaka has.
Gosvami: The nayaka has five types of assistants, namely
ceta, vita, vidusaka, pitha-mardda, and priya-narma-sakha.
They are all expert in using joking words; they are always intensely devoted to
Krsna with anuraga (deep love); they know how to behave according to the
occasion and circumstance; they are expert; and they are adept in the art of
pleasing the gopis when they become angry, as well as giving
confidential advice. All five types of assistants have these qualities.
Vijaya: What are the attributes of the ceta assistants?
Gosvami: They are expert in discovering anything, they perform secret
tasks, and their disposition is somewhat bold and arrogant. In Gokula, sakhas such as Bhangura
and Bhrngara perform the activities of Krsna’s ceta.
Vijaya: Who are called vita?
Gosvami: Krsna’s vita, such as Kadara and Bharati
Bandha, are extremely talented in activities such as dressing and decorating Krsna.
They are cunning, skilled in conversation and expert in manipulating others.
Vijaya: Who are the vidusakas?
Gosvami: The vidusakas are fond of eating and
quarreling. They are expert at making others laugh with their comical gestures,
words and dress. Madhumangala and gopas such as Vasanta are prominent
among Krsna’s vidusakas.
Vijaya: Who is in the category of pitha-mardda?
Gosvami: Sridama is Krsna’s pitha-mardda. Though his
qualities are just like those of a nayaka, he conducts all his
activities according to the order of the nayaka.
Vijaya: What are the symptoms of the priya-narma-sakhas?
Gosvami: They are privy to extremely confidential secrets and
have taken shelter of the bhavas of the sakhis. Subala and Arjuna
are prominent among Krsna’s priya-narma-sakhas. Thus they are the best
of all Krsna’s friends. Among these five – ceta, vita, vidusaka,
pitha-mardda and priya-narma-sakha – the
cetas are in dasya-rasa, the pitha-marddas are in vira-rasa,
and the rest are in sakhya-rasa. The cetas are servants (kinkara)
and the other four are sakhas.
Vijaya: Are there no female assistants (sahayakas)?
Gosvami: Yes, there are, and they are called dutis (messengers).
Vijaya: How many types of duti are there?
Gosvami: There are two kinds: svayam-duti and apta-duti.
Kataksa (the sidelong glance) and vamsi-dhvani (the sound of
Krsna’s flute)
are svayam-dutis.
Vijaya: Aha! Who are the apta-dutis?
Gosvami: Vira is proficient in speaking bold words, and Vrnda
is expert in persuasive flattery. They are both Sri Krsna’s apta-dutis. The svayam-dutis and apta-dutis are
extraordinary dutis. Apart from them, there are ordinary messengers such
as lingini, daiva-jna and silpa-karini. I will describe
them elaborately later in the context of nayikas and dutis.
Vijaya: I have understood the mood and attributes of Sri Krsna
as nayaka, and I have also heard that Sri Krsna performs nitya-lila in
both pati and upapati bhava. He performs pastimes in Dvaraka in pati-bhava,
and in vraja-puri in upapati-bhava. Our Krsna is upapati, so
it is essential for us to know about the vraja-ramanis, the charming young
gopis.
Gosvami: Most of the damsels of Vraja with whom
Vrajendranandana Syamasundara performs pastimes are in parakiya-bhava, because
madhura-rasa does not fully develop without parakiya. The rasa
of the charming ladies of Dvaraka-puri remains limited by their marital
relationship, whereas the rasa of the female residents of Vraja, who
possess that suddha-kama from which Krsna derives the utmost happiness,
is unrestricted (akuntha).
Vijaya: What is the purport of this?
Gosvami: Sri Rudra, who is highly knowledgeable in the subject of
srngara-rasa, states that the supreme weapons of Kandarpa (Cupid)
are obstacles such as the contrary moods of women (vamata), and the
extreme difficulty in meeting with women (durlabhata) because of the
prohibitions that society imposes. Canakya Pandita has stated that the nayaka’s
heart becomes more deeply attached when He is forbidden to meet His beloved
and when the doe-eyed beloved is difficult to attain. Look! Although Krsna is atmarama,
at the time of rasa-lila, He manifested Himself in as many svarupas as
there were gopis, and then performed lila with them. Every sadhaka
should follow rasa-lila. Here the special instruction is that, if
the sadhakas desire auspiciousness, they should enter this rasalila as
a bhakta, but they should never imitate Krsna. In other words, they
should enter this lila only by becoming a follower of a gopi, by adopting
the mood of gopi-bhava.
Gosvami: Nandanandana Krsna, the son of Nanda Maharaja, is a gopa,
and He does not perform amorous pastimes with anyone except with the gopis.
The sadhaka who is eligible for srngara-rasa should engage in krsna-bhajana
with the same bhava with which the gopis render loving
service to Sri Krsna. In the course of his bhajana, the sadhaka should
meditate on himself as a vraja-gopi. The sadhaka should consider
himself the maidservant of some extremely fortunate vraja-vasini (female
resident of Vraja), and under her guidance, should render services to
Radha-Krsna. One cannot possibly awaken rasa unless one considers
oneself parodha, that is, married to a gopa other than Krsna. It
is this parodha- abhimana, the self-conception of being married
to a gopa other than Krsna, that is the specific dharma of the vraja-gopis.
Sri Rupa Gosvami has written:
maya-kalita-tadrk-stri-silanenanusuyibhih
na jatu vrajadevinam patibhih saha
sangamah
Sri
Ujjvala-nilamani,
Krsna
vallabha prakarana (19)
The vraja-devis who, through the influence of
yogamaya, consider themselves married to gopas other than Krsna, never come in physical
contact with their dharmika wedded husbands.
At the time of the gopis’ abhisara (rendezvous with Krsna) and so on,
the gopas in their houses see
forms of the gopis that exactly resemble their own wives. These forms are fabricated by yogamaya so
that the gopas will think to themselves, “Our wives are right here
at home,” and they never have any opportunity to be jealous or to feel enmity towards
Krsna.
The vraja-devis never had physical contact with their
lawfullywedded husbands, who were all contrived by yogamaya. Each of the
vraja-gopis’ husbands is only the manifestation from their
respective bhavas in the Goloka lila. Their marriages are also
nothing but an implicit conviction created by yogamaya. The gopis are
not actually married to other gopas, but the abhimana, or
self-conception, of being married to other gopas is eternally present.
If it were not so, it would naturally be impossible for the unprecedented parakiya-rasa
to manifest because of contrariness (vamata), inaccessibility (durlabhata),
obstructions, social prohibitions, fear and so on. The nayika-bhava of vraja-rasa
cannot be attained without such a conception. Laksmiji of Vaikuntha is an
example of this.
Vijaya: What is the bhava of knowing oneself as parodha?
Gosvami: A gopi thinks, “I am a girl who was born in the
house of a vraja-gopa, and when I grew up to be a young adolescent, I
was given in marriage to a youthful gopa.”
Only through this type of conviction does the intense yearning to meet
intimately with Krsna become powerful. Gopi-bhava means to attribute (aropa)
to oneself the mood of being a gopa’s wife who has not yet given birth to
a child.
Vijaya: If the sadhaka is male, how can he attribute gopi-bhava
to himself?
Gosvami: People only consider themselves male because they are under
the influence of the illusory nature imposed by maya. Except for Krsna’s
eternal male associates, the pure, inherent spiritual nature of all others is
female. Really, there are no male and female characteristics in the spiritual
structure, but the sadhaka can attain eligibility to be a vraja-vasini
when he is impelled by svabhava and a steadfast abhimana. Only
those who have ruci for madhura-rasa are eligible to become vraja-vasinis.
If one performs sadhana according to one’s ruci, one will
attain a perfected state that corresponds exactly to the nature of that sadhana.
Vijaya: What are the glories of being a gopi married to
a gopa other than Krsna?
Gosvami: The vraja-gopis who are married to
others naturally become mines of superabundant beauty and extraordinarily
powerful transcendental virtues when the intense hankering to meet intimately
with Krsna arises in their hearts. They also become decorated with the
exquisite loveliness of prema. The sweetness of their rasa exceeds
that of all the saktis of Bhagavan, headed by the goddess of fortune
Laksmi.
Vijaya: How many kinds of vraja-sundari (beautiful
damsels) are there?
Gosvami: There are three types: sadhana-para, devi,
and nityapriya.
Vijaya: Are there also different types of sadhana-para-sundari?
Gosvami: Yes, there are two types of sadhana-para-sundari:
yauthiki and ayauthiki.
Vijaya: Who are the yauthiki?
Gosvami: The yauthiki sundaris have taken birth in Vraja
together in a group, after being absorbed in the sadhana for vraja-rasa.
In other words, they are members of a particular group. There are two kinds of yauthiki:
muni-gana and upanisad-gana.
Vijaya: Which munis have taken birth in Vraja as gopis?
Gosvami: Some munis offered worship to Gopala, but were
unable to attain siddhi (perfection). After having darsana of Sri
Ramacandra’s beauty, they further endeavored in sadhana in accordance with
their cherished desire. Thus, they accepted gopibhava and took birth as gopis.
Padma Purana refers to them in this way, and Brhad-Vamana Purana states
that some of them attained perfection at the beginning of the rasa-lila.
Vijaya: How did the Upanisads take birth as gopis in
Vraja?
Gosvami: The Maha-Upanisads personified, who were gifted
with extremely fine discrimination, became thoroughly astonished when they saw
the gopis’ good fortune, and after performing severe austerities with sraddha,
they attained birth in Vraja as gopis.
Vijaya: Who are ayauthiki?
Gosvami: There are two types of sundaris celebrated by
the name ayauthiki: long-standing (pracina) and new (navina).
They are exceptionally attached to gopi-bhava, and perform sadhana with
intense eagerness and natural anuraga. Some take birth alone, and others
in groups of two, three, or even more at the same time. The pracina
ayauthiki-gopis attained salokya (living on the same planet) together
with the nitya-priya gopis a long time ago. The navinaayauthiki gopis
come to Vraja by taking birth in the species of devas, humans, and
other beings. They gradually become pracina, and attain salokya in
the way I have already mentioned.
Vijaya: I have understood the subject of sadhana-para.
Now please be so kind as to explain to me about the devis.
Gosvami: When Krsna descends among the devas in Svarga
by His amsa, amsas of His nitya-kantas also manifest as devis
in order to satisfy Him. Those very devis
take birth in krsna-lila as the daughters of gopas and become
the prana-sakhis of the nitya-priya-gopis of whom they are amsas
– in other words, of their own amsanis.
Vijaya: Prabhu, when does Krsna take birth by His amsa in
the species of devas?
Gosvami: Krsna takes birth from Aditi’s womb by His svamsa form
as Vamana, and by His vibhinnamsas (separated expansions), He becomes
the devatas. Siva and Brahma are not born from the womb of a mother, and
although they are not in the category of ordinary jivas who have fifty
qualities to a minute degree, they are still only vibhinnamsa. Those
fifty qualities are certainly present in Brahma and Siva to a somewhat greater
extent, and in addition they have
five more qualities that are
not found in the ordinary jivas. Therefore, these two are called the
chief devatas. Ganesa and Surya are also situated in the same category
as Brahma for the same reason, but all the other devas are classified as
jivas . All the devatas are Krsna’s vibhinnamsas, and
their wives (devis) are the vibhinnamsas of cit-sakti.
Just before Krsna’s appearance, Brahma ordered them to take birth to satisfy
Krsna, and following his order some of them took birth in Vraja and others in
Dvaraka, according to their different tastes and sadhana. The devis who
take birth in Vraja because of intense eagerness to attain Krsna are the prana-sakhis
of the nitya-priya-gopis.
Vijaya: Prabhu, the Upanisads attained birth as gopis,
but kindly tell me, do any other presiding devis of the Vedas also
accept birth in Vraja?
Gosvami: It is written in the srsti-khanda of Padma
Purana that Gayatri, who is Veda-mata, the mother of the Vedas, also
took birth as a gopi and attained Sri Krsna’s association. From that
time, she assumed the form of kama-gayatri.
Vijaya: But isn’t kama-gayatri without any beginning (anadi)?
Gosvami: Kama-gayatri is
certainly anadi, and this anadi-gayatri first manifested in the
form of Veda-mata. Later, by the influence of sadhana,
and seeing the good fortune of many Upanisads, she took birth in Vraja
along with the Gopala Upanisad. Although the form of kama-gayatri is
eternal, she exists splendidly in an eternal and separate form as Veda-mata
Gayatri.
Vijaya: All those, such as the Upanisads, who took
birth in Vraja had the abhimana of being the daughters of gopas,
and they accepted Krsna as their own husband with the conception that He was a gopa-nayaka.
Krsna became their husband at that time by the custom of gandharva-vivaha.
I have understood this much. However, Krsna’s eternal beloved consorts are His
associates from time without beginning, so is Krsna’s relationship of upapati
with them only a contrivance of maya?
Gosvami: It is certainly one type of creation of maya,
but not of jada-maya, the illusory energy exhibited in the material
world. Jada-maya can never touch
krsna-lila. Although vraja-lila is within the material world, it
is completely beyond the jurisdiction of jadamaya. Another name for cit-sakti is yogamaya, and in krsna-lila
this very yogamaya acts in such a way that one who is influenced by jada-maya
sees that krsna-lila in an external form. Yogamaya brings to
Vraja the parodha-abhimana of Goloka with each of the nityapriyas,
and gives that abhimana form a separate individual existence. Then, by arranging for the marriages between
the nitya-priyagopis and those separate existences,1 she makes Krsna upapati.
The omniscient purusa and the all-knowing saktis who
are absorbed in their respective rasa accept these bhavas. This
indicates the superiority of rasa and the super-excellence of the fully
independent iccha-sakti. There is no such eminence in Vaikuntha
and Dvaraka. When the prana-sakhis attain salokya along with the nityapriya
gopis, their restricted pati-bhava broadens and becomes upapati-bhava.
This is their ultimate achievement.
1 All the abhimanas
of Goloka are manifest in tangible forms in Vraja, such as Abhimanyu.
Vijaya: This siddhanta is quite extraordinary. My heart
has become refreshed. Now kindly explain to me about the nitya–priya gopis.
Gosvami: Sri Gauracandra could not have revealed such esoteric principles
through my mouth if there were no qualified listener present such as your good
self. Look here, in various places, Sri Jiva Gosvami, who is all-knowing (sarva-jna),
has deliberated on this subject in a very confidential manner, which one can
understand by reading his commentaries and literatures such as Krsnasandarbha. Sri Jiva Gosvami was always afraid that if
unqualified persons came to know about these very esoteric principles, they might
later take shelter of a corrupted form of dharma. At that time, Sri Jiva
Gosvami felt anxious about all the faults, such as rasabhasa and the
distortion of rasa, that are seen in so-called Vaisnavas today. He could not prevent this misfortune,
although he was so careful. You should not speak this siddhanta in the
presence of others, except for those who are qualified to receive it. Now I
will describe the nitya-priya gopis.
Vijaya: Who are the nitya-priya gopis? Although in the
past I have studied many sastras, now my sole desire is to drink this
nectar from the lotus mouth of Sri Gurudeva.
Gosvami: Like Krsna, the nitya-priya gopis in Vraja are
the abodes of all qualities, such as beauty and cleverness. Radha and Candravali
are most prominent among them. They have been referred to in the Brahma-samhita
(5.37).
ananda-cinmaya-rasa-pratibhavitabhis
tabhir ya eva nija-rupataya kalabhih
goloka eva nivasaty akhilatma-bhuto
govindam adi-purusam tam aham bhajami
When the ananda-amsa of the sac-cid-ananda-para-tattva
agitates the cid-amsa, and is then enthused by the separately manifest hladini
pratibha (splendor), then Srimati Radhika, along with Her sakhis who
are all extensions of Her spiritual form, become manifest. I perform bhajana
of that Govinda, who is the supreme, original Soul of all souls. He eternally resides in Goloka-dhama with
those damsels, who are all endowed with the sixty-four arts.
The nitya-priya gopis have been mentioned in this
statement of Brahma, which is the essence of all the Vedas. They are nitya,
which means that they are a manifestation of cit-sakti and are
thus beyond time and space – this is truth. There, nitya-lila is an
expression of the sixty-four arts: kalabhih svamsa-rupabhih saktibhih. Although
there are different meanings given by the acaryas in other commentaries
on Brahma Samhita, I have explained Sri Svarupa Damodara Gosvami’s
extremely confidential commentary. This secret treasure is hidden in the vault
of the hearts of Sri Rupa-Sanatana and Sri Jiva Gosvamis.
Vijaya: I am intensely eager to hear the various names of the nityapriya
gopis.
Gosvami: Sastras such
as the Skanda Purana and Prahlada-samhita, have mentioned names
such as Radha, Candravali, Visakha, Lalita, Syama, Padma, Saibya, Bhadrika,
Tara, Vicitra, Gopali, Dhanistha, and Pali. Another name of Candravali is
Somata, and Srimati Radhika is also called Gandharva. Vraja-gopis such
as Khanjanaksi, Manorama, Mangala, Vimala, Lila, Krsna, Sari, Visarada,
Taravali, Cakoraksi, Sankari and Kumkuma are also famous in this world. Vijaya: What is their relationship
with each other?
Gosvami: These gopis are yuthesvaris (group
leaders). There are not one or two groups, but hundreds, and in each of them,
there are hundreds of thousands of beautiful, individual gopis. All of
the above mentioned gopis, from Srimati Radhika to Kumkuma, are yuthesvaris.
Visakha, Lalita, Padma and Saibya have been described in the sastras more
elaborately than the others. Among these yuthesvaris, the eight gopis
beginning with Radha have been called pradhana, because they are
most fortunate.
Vijaya: Visakha, Lalita, Padma, and Saibya are pradhana
gopis, and they are especially expert in nourishing Krsna’s pastimes. Why have
they not been accepted as distinct yuthesvaris? Gosvami: They are so qualified that
although it would be proper to call them yuthesvaris, Lalita and Visakha
remain so enchanted by Srimati Radhika’s supremely blissful bhava that
they do not want to call themselves independent yuthesvaris. Among them,
some are followers of Srimati Radhika, and others are followers of Candravali.
Vijaya: I have heard that Lalita has a gana (sub-group).
What type of group is it?
Gosvami: Srimati Radhaji is prominent amongst all the yuthesvaris. Some of the gopis in Her dependent yuthas
are attracted to Sri Lalitaji’s special bhava, and call themselves
Lalita gana. Other gopis refer to themselves as Visakha gana,
and so on. The asta-sakhis headed by Lalita and Visakha are the heroines
of Srimati Radhika’s various ganas. If one is very fortunate, one can
acquire the qualification to enter Srimati Lalita’s gana.
Vijaya: In which sastra can the names of these gopis
be found?
Gosvami: Their names are found in sastras such as Padma
Purana, Skanda Purana and the Uttara khanda of Bhavisya
Purana. Many names are also mentioned in Satvata-tantra.
Vijaya: Srimad-Bhagavatam is the crest-jewel of all sastras in the entire universe, so it
would have been a matter of great joy if these names were mentioned there.
Gosvami: Srimad-Bhagavatam is a tattva-sastra, but it is also an ocean of rasa. From
the point of view of the rasika-bhaktas, Srimad-Bhagavatam is
filled with the complete deliberation on rasa-tattva, as if an ocean
were contained in a single jar. Sri Radha’s name and the bhavas and
identities of all the gopis have been described there in a highly
confidential way. If you reflect thoroughly upon the slokas of the Tenth
Canto, you can find everything. Sri Sukadeva Gosvami has described this subject
in a confidential way to keep unqualified
people at a distance. Vijaya, what will be the result of giving chanting beads
and full and explicit descriptions to one and all? The reader can understand
the confidential topics only as far as his conceptions are advanced. Therefore,
one quality of a genuine pandita is that he can reveal in a hidden way
subjects that are not fit to be revealed in the presence of everyone. Qualified
people understand them only as far as their adhikara allows. There is no
knowledge of the factual vastu without sri-guru-parampara. One may acquire knowledge in other ways, but
it will have no effect. You can only
attain the complete rasa of Srimad-Bhagavatam after thoroughly
understanding Ujjvala-nilamani.
In this way, after a long period of questions and answers, that day’s
istagosthi was completed. Vijaya returned to his residence, meditating
incessantly on the subjects that he had heard. As all the vicara (considerations)
in relation to nayaka and nayika awakened in the field of his
heart, he became absorbed in paramananda, and as he remembered the
discussion about vamsi and svayam-duti, a stream of tears
flowed from his eyes. At that time, the pastime that he had seen in the grove
on his way to Sundaracala the previous night appeared vividly upon the screen
of his heart.
THUS ENDS THE THIRTY-SECOND CHAPTER OF JAIVA-DHARMA,
ENTITLED
“MADHURA-RASA: PARAKIYA-NAYIKAS”